Samek Art Museum

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    Ekphrasis Highlight: Jerry

     

    Scott Lifschutz
    Jerry, 1990
    Oil on birch plywood
    Gift of Private Collection, New York
    © 2021 Scott Lifschutz
    Samek Art Museum Collection
    2004.4.9

    Jerry

    after Scott Lifschutz

    The same internet that teaches me about body neutrality

    and shows me young boys unabashedly loving each other on TikTok

    is the same internet where I read about queer futurity and promises deferred.

    The same place where @jeffreyjamesfoxx cries when he says: Society stole that from so many of us.

    It is the same internet that connects me to James, whom I am grabbing a drink with later,

    and which delivers this message from a friend: and this is my coming out text now.

    And this one, before my date: I hope you feel exactly like yourself.

    Remember your body and breath. My body, which put on clothes this morning,

    walked to work, took a shit after lunch, and which, now, stands

    in front of a portrait of a naked man. His name is Jerry, we are told, though he remains anonymous,

    his back turned to us, depicted on natural, unfinished wood.

    He silvers like an emulsion embedded into the birch, its grain indiscernible

    from the strokes of the brush, paint rippling like light at the bottom of a pool,

    almost transparent, already a ghost. On our date, James, a doctor, reminds me of the pandemic

    that filled hospitals with beautiful men. His older colleagues still speak of the grief,

    their fear, now, more refined. I have studied my back in a mirror, heavy

    with its own set of losses already being forgotten by those who have come after. 

    Light does not gather in the non-existent dimples above my buttocks.

    The paint is not so thick at the crown of my head, which is beginning to reveal

    the grain beneath, and is not so perfectly I-woke-up-like-this tousled.

    I am painted with a heavier hand, this body with its elbow creases and its spine,

    which hurts in the morning and cracks but only when I twist to the right for some reason,

    its questionable moles, dry eyes, and delicate right knee—how absurdly unfinished it is—

    and yet, if ever I take off my shirt for James, please god! in the absence of screens

    (Remember their bodies, their breath), he will see my shoulders falling like wings.

    By: Joshua Garcia

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    3rd Floor, Elaine Langone Center
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    Lewisburg, PA 17837

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    416 Market Street
    Lewisburg, PA 17837
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